apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Kiss
The Kiss by Charles Maurin

plate no. 4304

The Kiss

Charles Maurin

oilPost-Impressionismgenre paintingfiguremotherchildwindowinteriorcouch
some experience helpful

Recreating this painting will help students develop skills in rendering skin tones and capturing soft lighting effects. It also provides practice in depicting figures in an intimate, emotional setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the mother, child, couch, and window.

  2. step 02

    Establish the background with dark, muted tones, focusing on the wall and couch.

  3. step 03

    Block in the basic skin tones of the mother and child, paying attention to the subtle variations in color.

  4. step 04

    Gradually build up the details of the figures, refining the shapes and adding shadows and highlights.

  5. step 05

    Work on the clothing, using darker blues and whites to create depth and texture.

  6. step 06

    Add the window and the landscape seen through it, using soft, muted colors.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details, such as the hair and facial features, to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · burnt sienna · yellow ochre

Mix ivory black and raw umber for the dark background and couch. Use titanium white with a touch of burnt sienna and yellow ochre for the skin tones. Mix ultramarine blue with white for the clothing.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a flat or unnatural appearance.
  • →Failing to establish a strong value structure, leading to a lack of depth.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting lost in details too early, before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov