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home·artworks·The King walked in any weather…(Saint-Simon )
The King walked in any weather…(Saint-Simon ) by Alexandre Benois

plate no. 6015

The King walked in any weather…(Saint-Simon )

Alexandre Benois, 1898

watercolor, paperPost-Impressionismhistory paintingfiguresraingardenarchitecturetreespath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing movement with loose brushstrokes. It also provides practice in creating a sense of depth using value and color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figures, the path, the hedges, and the building in the background.

  2. step 02

    Apply a light wash of diluted blue-gray for the sky, allowing it to blend and create a cloudy effect.

  3. step 03

    Paint the distant building with a very light, diluted ochre and gray mix, focusing on the overall shape rather than details.

  4. step 04

    Add the green areas of the garden with a mix of green and brown, varying the intensity to create depth.

  5. step 05

    Paint the dark hedges using a mix of dark green and brown, adding subtle variations in tone.

  6. step 06

    Use a darker mix of brown and black to paint the figures, capturing their movement with quick, gestural strokes.

  7. step 07

    Add the rain using thin, vertical strokes of diluted white or light gray.

  8. step 08

    Add final details such as the urn and statues with light gray washes.

color palette

primary · ultramarine blue · raw umber · yellow ochre

secondary · titanium white · payne's gray

Mix ultramarine blue and raw umber for the sky and shadows. Use yellow ochre and raw umber for the building and figures. Dilute colors significantly for a watercolor effect.

techniques

  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·gestural brushstrokes
  • ·layering washes

common pitfalls

  • →Overworking the details in the background
  • →Making the figures too stiff and static
  • →Using colors that are too saturated
  • →Not allowing washes to dry properly

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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