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home·artworks·The Kibab Shop, Scutari, Asia Minor
The Kibab Shop, Scutari, Asia Minor by John Frederick Lewis

plate no. 1773

The Kibab Shop, Scutari, Asia Minor

John Frederick Lewis, 1860

oilOrientalismgenre paintingfiguresarchitectureanimalsinteriorexteriorcityscape
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with multiple figures and animals, as well as understanding atmospheric perspective and color harmony in a detailed composition. It also provides practice in depicting textures of different materials, such as wood, stone, and textiles.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and values.

  3. step 03

    Develop the background elements, paying attention to atmospheric perspective.

  4. step 04

    Refine the figures, adding details to their clothing and facial features.

  5. step 05

    Work on the animals, capturing their forms and textures.

  6. step 06

    Add details to the architectural elements, such as the brickwork and wooden structures.

  7. step 07

    Introduce highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and harmonious result.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the warm, earthy tones by mixing burnt umber and yellow ochre. Create variations in the blues by adding white or ultramarine blue. Use cadmium red to create the reds and pinks.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Ignoring the importance of atmospheric perspective.
  • →Failing to establish a strong value structure.
  • →Getting lost in the complexity of the scene and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, cadmium red, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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