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home·artworks·The Imprisoned Love
The Imprisoned Love by Kexin Di

plate no. 0808

The Imprisoned Love

Kexin Di, 2018

oilContemporary Realismportraitportraitfigureveilwomanheadclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically rendering skin tones and creating the illusion of transparency with the veil. It also provides practice in soft blending and subtle value shifts.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background color with a thin, even wash of a neutral tone.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using simplified values.

  4. step 04

    Begin refining the skin tones by layering and blending subtle color variations.

  5. step 05

    Carefully render the features of the face, paying attention to the highlights and shadows that define the form.

  6. step 06

    Start building up the veil with thin layers of white and gray, focusing on the folds and transparency.

  7. step 07

    Add details to the clothing, using brushstrokes to suggest texture and form.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · cadmium red light · ivory black · yellow ochre

Achieve skin tones by mixing white, umber, sienna, and small amounts of red and yellow. Use white and gray mixtures for the veil, adjusting the values to create transparency.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·value studies
  • ·layering

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Making the veil too opaque and failing to create the illusion of transparency.
  • →Getting the proportions of the face wrong.
  • →Not establishing a strong value structure before adding color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·round brushes
  • ·flat brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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