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home·artworks·The imperial summer residence Schloss Hof, courtyard (detail)
The imperial summer residence Schloss Hof, courtyard (detail) by Bernardo Bellotto

plate no. 0304

The imperial summer residence Schloss Hof, courtyard (detail)

Bernardo Bellotto, 1758

oil, canvasRococogenre paintingfiguresarchitecturelandscapebridgegardendog
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details, atmospheric perspective, and painting figures in historical costumes. It is also a good exercise in creating depth and spatial relationships within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the architecture and the placement of the figures.

  2. step 02

    Block in the large areas of color, starting with the sky and the distant landscape.

  3. step 03

    Establish the values of the architecture, paying attention to the light and shadow.

  4. step 04

    Begin to refine the details of the architecture, such as the railings and the statues.

  5. step 05

    Paint the figures, starting with the basic shapes and then adding details such as the clothing and faces.

  6. step 06

    Add the details of the garden and the surrounding landscape.

  7. step 07

    Refine the overall composition and add any final details.

  8. step 08

    Add the fine details and highlights on the figures' clothing.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · cadmium red light · yellow ochre · ivory black

Mix various shades of brown and gray for the architecture and landscape. Use white to lighten the colors and create highlights. Mix red and yellow to create the colors for the dresses.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·linear perspective

common pitfalls

  • →Incorrect perspective of the architecture
  • →Overworking the details
  • →Getting the proportions of the figures wrong
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to establish the values.

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