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home·artworks·The House of Misia Sert
The House of Misia Sert by Pierre Bonnard

plate no. 8760

The House of Misia Sert

Pierre Bonnard, 1906

canvas, temperaPost-Impressionismcityscapebuildingporchfiguresstepsgardeninterior
some experience helpful

Recreating this painting will help students develop skills in depicting architectural details with loose brushwork and capturing the interplay of light and shadow within an interior space. Students will also learn to suggest figures and details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the house, porch, and steps, paying attention to perspective.

  2. step 02

    Block in the main colors of the building's structure, using thinned paint.

  3. step 03

    Establish the dark and light patterns on the facade to create depth.

  4. step 04

    Paint the foliage around the base of the house with loose, gestural strokes.

  5. step 05

    Add the figures on the porch, simplifying their forms and colors.

  6. step 06

    Define the interior space visible through the doorway with muted tones.

  7. step 07

    Refine the details of the architectural elements, such as the railings and posts.

  8. step 08

    Add final touches and highlights to enhance the overall impression.

color palette

primary · raw umber · titanium white · raw sienna

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and beige by combining raw umber, raw sienna, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle variations in the shadows and foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating overly sharp edges.
  • →Failing to establish a clear sense of depth.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#6 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

color theory for painters →how to learn by studying the masters →
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