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home·artworks·The Gulf of Marseille Seen from L'Estaque
The Gulf of Marseille Seen from L'Estaque by Paul Cezanne

plate no. 3186

The Gulf of Marseille Seen from L'Estaque

Paul Cezanne, 1885

oil, canvasPost-Impressionismlandscapeseabuildingsskymountainslandscapetrees
some experience helpful

Recreating this painting will help students understand color temperature and how to use visible brushstrokes to define shapes and create texture. It also provides practice in simplifying complex scenes into basic forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: horizon line, mountains, coastline, and major buildings.

  2. step 02

    Block in the sky with a light blue, using horizontal brushstrokes.

  3. step 03

    Paint the sea with varying shades of blue, reflecting the sky and adding depth.

  4. step 04

    Establish the landmasses with broad strokes of green, yellow, and ochre.

  5. step 05

    Define the buildings with simple geometric shapes and colors, paying attention to the light and shadow.

  6. step 06

    Add details like trees and chimneys using short, broken brushstrokes.

  7. step 07

    Refine the colors and values, adjusting the overall balance of the painting.

  8. step 08

    Add final touches to the sky and water, creating a sense of atmosphere.

color palette

primary · cerulean blue · yellow ochre · cadmium yellow · viridian green

secondary · burnt sienna · ultramarine blue · titanium white

Mix greens by combining yellow ochre and viridian green. Vary blues by adding white or ultramarine. Create earth tones by mixing burnt sienna with yellow and green.

techniques

  • ·broken color
  • ·color temperature
  • ·simplified forms
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Over-blending the colors, losing the vibrancy and texture.
  • →Getting bogged down in details too early, before establishing the overall composition.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.
  • →Ignoring the subtle variations in color and value, leading to a monotonous painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#6 flat brush
  • ·#4 round brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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