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home·artworks·The Great Blasket Islands
The Great Blasket Islands by Paul Henry

plate no. 9121

The Great Blasket Islands

Paul Henry, 1937

oilPost-Impressionismlandscapemountainscloudssearockslandscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in capturing the subtle nuances of light and shadow in a muted color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, clouds, and shoreline.

  2. step 02

    Block in the sky with a thin wash of light gray, leaving some areas lighter for highlights.

  3. step 03

    Establish the mountain masses with darker grays, paying attention to their relative values.

  4. step 04

    Paint the sea with horizontal strokes, varying the gray tones to suggest depth and movement.

  5. step 05

    Add the rocks in the foreground, using darker values and short, broken brushstrokes.

  6. step 06

    Layer in the cloud formations, building up the shapes with lighter and darker grays.

  7. step 07

    Refine the details of the mountains and shoreline, adding subtle variations in color and texture.

  8. step 08

    Add final highlights and shadows to create a sense of atmosphere and depth.

color palette

primary · titanium white · payne's gray · raw umber

secondary · yellow ochre · viridian

Mix various shades of gray by combining white, Payne's gray, and a touch of raw umber. Add small amounts of yellow ochre or viridian to create subtle color variations in the sky, mountains, and sea.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·broken color
  • ·dry brushing
  • ·tonal painting

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting to establish a clear value structure.
  • →Ignoring the subtle color variations in the sky and sea.
  • →Overworking the details, losing the overall sense of atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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