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home·artworks·The Gossip
The Gossip by Thomas Dewing

plate no. 9842

The Gossip

Thomas Dewing, 1907

oilTonalismgenre paintingfiguresinteriortablechairsdressestea
some experience helpful

Recreating this painting will help students develop skills in rendering figures in loose, impressionistic styles and mixing subtle color variations to create a harmonious tonal effect. It also provides practice in creating atmospheric perspective and suggesting details rather than rendering them precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Establish the overall tonal range with a thin wash of diluted raw umber or burnt sienna.

  3. step 03

    Block in the main areas of color, starting with the background and then the figures' dresses.

  4. step 04

    Develop the forms of the figures, paying attention to the light and shadow on the fabric.

  5. step 05

    Add details to the faces and hands, keeping the brushstrokes loose and expressive.

  6. step 06

    Refine the background, adding subtle variations in color and texture.

  7. step 07

    Add the details of the table and chairs, using a dry brush technique to create texture.

  8. step 08

    Glaze with transparent layers to unify the colors and create depth.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · ultramarine blue · viridian green · burnt sienna

Achieve the subtle tonal variations by mixing small amounts of the secondary colors into the primary colors. Use white to lighten the values and create highlights.

techniques

  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·tonal layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and disrupting the tonal harmony.
  • →Failing to establish a strong sense of light and shadow.
  • →Making the figures too stiff and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·viridian green oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish the overall tonal range.

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