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home·artworks·The Gate within The City walls
The Gate within The City walls by Grant Wood

plate no. 5075

The Gate within The City walls

Grant Wood, 1920

oilPost-Impressionismcityscapearchbuildingscityscapestonestreet
some experience helpful

Recreating this painting will help students practice layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and values. It also provides practice in creating a sense of perspective through atmospheric perspective and diminishing size.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the archway, buildings, and street, focusing on proportions and perspective.

  2. step 02

    Block in the main areas of color with thin washes, establishing the overall value structure.

  3. step 03

    Begin layering darker tones to define shadows and create depth within the archway and buildings.

  4. step 04

    Add lighter tones to indicate highlights and create a sense of light and atmosphere.

  5. step 05

    Refine the details of the stonework and buildings, using short, broken brushstrokes to create texture.

  6. step 06

    Pay attention to the edges of shapes, softening some and sharpening others to create visual interest.

  7. step 07

    Add final touches of color and detail to enhance the overall impression of the scene.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to value, color, or composition.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown and beige by combining raw umber, burnt sienna, yellow ochre, and white. Use black sparingly to darken shadows. Achieve lighter tones by adding white to the base colors.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impression of the scene.
  • →Creating overly harsh or dark shadows.
  • →Failing to establish a clear sense of perspective.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to help create a more textured effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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