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home·artworks·The Garden of Elegies at Son Moragues
The Garden of Elegies at Son Moragues by Santiago Rusinol

plate no. 5598

The Garden of Elegies at Son Moragues

Santiago Rusinol, 1903

oilPost-Impressionismlandscapegardenfountaintreeswallstepsfoliage
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as practice layering techniques to build depth and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: fountain, walls, trees, and steps.

  2. step 02

    Establish the basic color blocks for the sky, walls, and water using thin washes.

  3. step 03

    Layer in the darker tones of the trees and foliage, paying attention to the light source.

  4. step 04

    Develop the texture of the walls and fountain using short, broken brushstrokes.

  5. step 05

    Mix and apply the various greens for the moss and foliage, focusing on color temperature changes.

  6. step 06

    Add details to the trees, including branches and leaves, using a smaller brush.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details such as the reflections in the water and small plants.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · sap green · cadmium yellow · alizarin crimson · raw umber

Achieve the mossy greens by mixing sap green with raw umber and a touch of yellow ochre. Create the subtle variations in the walls by layering burnt sienna, yellow ochre, and ultramarine blue.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color temperature changes in the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (yellow ochre, ultramarine blue, burnt sienna, titanium white, sap green, cadmium yellow, alizarin crimson, raw umber)
  • ·palette
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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