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home·artworks·The Garden Behind the House
The Garden Behind the House by Gustave Loiseau

plate no. 2652

The Garden Behind the House

Gustave Loiseau, 1915

oil, canvasPost-Impressionismlandscapehousegardentreesflowersskyvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes to depict light and form. It also provides practice in simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the house, garden, and trees, focusing on proportions and placement.

  2. step 02

    Block in the sky with a thin layer of blue, varying the tone slightly.

  3. step 03

    Establish the main colors of the house (yellowish white) and roof (reddish-brown) with broad strokes.

  4. step 04

    Paint the green areas of the garden and foliage, using different shades of green to create depth.

  5. step 05

    Add details to the house, such as windows, doors, and shadows, using small, deliberate brushstrokes.

  6. step 06

    Build up the texture of the garden with layers of short, broken brushstrokes, varying the colors and values.

  7. step 07

    Refine the details of the trees, adding branches and leaves with a dry brush technique.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the scene.

color palette

primary · yellow ochre · cerulean blue · burnt sienna · sap green

secondary · titanium white · cadmium red · ultramarine blue

Mix white with yellow ochre and small amounts of burnt sienna to achieve the house's color. Vary the greens by mixing sap green with yellow ochre, ultramarine blue, and white. Create the roof color by mixing burnt sienna with cadmium red and a touch of ultramarine blue.

techniques

  • ·broken color
  • ·impasto
  • ·dry brush
  • ·layering
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Not varying the brushstrokes enough to create texture.
  • →Ignoring the subtle color variations in the light and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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