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home·artworks·The Fortune Teller
The Fortune Teller by Thomas Dewing

plate no. 5238

The Fortune Teller

Thomas Dewing, 1905

oil, panelTonalismgenre paintingfigurestableinteriorflowersdresscards
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective through subtle value shifts and blending, as well as capturing the nuances of fabric and skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm-toned ground.

  2. step 02

    Sketch the basic composition, focusing on the placement of the figures and the table.

  3. step 03

    Establish the main value structure with thin washes of burnt umber and raw sienna.

  4. step 04

    Begin layering in the darker values of the dresses and the table, gradually building up the forms.

  5. step 05

    Introduce the lighter values in the skin tones and the background, blending carefully to create soft transitions.

  6. step 06

    Add details to the faces, hands, and clothing, paying attention to the subtle variations in color and texture.

  7. step 07

    Paint the flowers and cards on the table, using small brushes to capture the delicate details.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmospheric effect.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black · sap green

Achieve the muted tones by mixing the primary colors with small amounts of black or green. Use white to lighten the values and create subtle highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. A pre-toned canvas can help to establish a warm base for the painting.

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