
plate no. 3920
Asgrimur Jonsson, 1913
approach — 8 steps
Sketch the basic composition, dividing the canvas into sky, mountains, and foreground.
Block in the sky with a light blue wash, blending darker blues near the top.
Establish the mountain range with a base layer of reddish-brown, adding darker shadows and lighter highlights.
Paint the flat plain area with a mix of browns and greens, creating a horizontal band.
Add the houses and other structures in the foreground, paying attention to their relative sizes and positions.
Layer greens and browns in the foreground to create the fields and vegetation, using short, broken brushstrokes.
Add details like the stream and fences, using a fine brush.
Refine the highlights and shadows throughout the painting to create depth and dimension.
color palette
primary · ultramarine blue · burnt umber · titanium white · cadmium red
secondary · yellow ochre · sap green
Mix blues and white for the sky, adding a touch of red for the upper sky. Combine burnt umber, cadmium red, and white for the mountains. Use yellow ochre and sap green to create various shades of green for the fields.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylic paints are recommended for beginners due to their fast drying time and ease of use.
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