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home·artworks·The Execution of the Jewess (Sol Hachuel)
The Execution of the Jewess (Sol Hachuel) by Alfred Dehodencq

plate no. 8576

The Execution of the Jewess (Sol Hachuel)

Alfred Dehodencq, 1860

oil, canvasOrientalismgenre paintingfigurescrowdbuildingskycityscapeexecution
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and atmospheric perspective, as well as capturing dramatic lighting and emotional expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the overall perspective.

  2. step 02

    Block in the large shapes of color, starting with the background sky and buildings.

  3. step 03

    Establish the main light and shadow patterns on the figures, using a limited palette of earth tones.

  4. step 04

    Develop the details of the faces and clothing, paying attention to the folds and textures.

  5. step 05

    Add the crowd in the background, simplifying the details and using a looser brushstroke.

  6. step 06

    Refine the highlights and shadows, creating a sense of depth and volume.

  7. step 07

    Add final details and adjust the overall color harmony.

  8. step 08

    Glaze where needed to unify the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black · raw sienna

Achieve the skin tones by mixing burnt umber, cadmium red, and titanium white. Create the sky by blending ultramarine blue and titanium white, adding a touch of burnt umber for depth.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, cadmium red, yellow ochre, ivory black, raw sienna)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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