apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Duvauchelle Pub and Hills
The Duvauchelle Pub and Hills by Rita Angus

plate no. 3345

The Duvauchelle Pub and Hills

Rita Angus, 1933

oilRegionalismlandscapebuildingshillslandscapetreesskyfields
some experience helpful

This painting offers a good opportunity to practice layering washes and creating depth through color and value variations. Students can develop skills in simplifying complex scenes into basic shapes and forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the buildings and hills.

  2. step 02

    Apply a light wash of diluted blue to the sky and distant hills.

  3. step 03

    Add a light wash of pink and peach to the areas of the hills that are not blue.

  4. step 04

    Paint the buildings with a light wash of yellow and brown, varying the intensity to create depth.

  5. step 05

    Add details to the buildings, such as windows and roofs, using darker shades of brown and blue.

  6. step 06

    Paint the trees and foliage with various shades of green, using a dry brush technique to create texture.

  7. step 07

    Add details to the foreground, such as the road and fences, using a combination of washes and dry brush strokes.

  8. step 08

    Refine the details and add highlights to create a sense of depth and dimension.

color palette

primary · cerulean blue · raw sienna · burnt sienna

secondary · sap green · cadmium yellow light · rose madder

Mix blue and sienna for muted greens and browns. Use white to lighten colors for highlights and atmospheric perspective. Combine rose madder and white for the pink hues in the sky and hills.

techniques

  • ·flat wash
  • ·dry brush
  • ·layering
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much water, which can cause the colors to bleed.
  • →Not allowing each layer to dry completely before applying the next.
  • →Failing to simplify the shapes and forms of the landscape.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb or heavier)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser
  • ·watercolor pencils

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Pipe and Bowl sign Painter

Pipe and Bowl sign Painter

Norman Rockwell

Spring Plowing

Spring Plowing

Grant Wood

The Sources of Country Music

The Sources of Country Music

Thomas Hart Benton

Cradling Wheat

Cradling Wheat

Thomas Hart Benton

Trail Riders

Trail Riders

Thomas Hart Benton

The Hunter

The Hunter

Andrew Wyeth

Pont Marie

Pont Marie

Grace Albee

New England Editor

New England Editor

Thomas Hart Benton