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home·artworks·The Druids: Bringing in the Mistletoe (collaboration with Edward Atkinson Hornel)
The Druids: Bringing in the Mistletoe (collaboration with Edward Atkinson Hornel) by George Henry

plate no. 8567

The Druids: Bringing in the Mistletoe (collaboration with Edward Atkinson Hornel)

George Henry, 1890

oilPost-Impressionismgenre paintingfigurestreeslandscapeceremonyanimalsfoliage
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to depict figures in a landscape setting with a focus on historical or cultural context.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the landscape elements.

  2. step 02

    Establish the background with broad washes of color, creating the sky and the snowy hill.

  3. step 03

    Block in the main colors of the figures' robes and skin tones, paying attention to the light and shadow.

  4. step 04

    Add details to the figures' faces and clothing, using smaller brushes and finer strokes.

  5. step 05

    Develop the texture of the trees and foliage, using a variety of brushstrokes and layering techniques.

  6. step 06

    Introduce the gold details on the figures and the animals.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · green · brown · white

secondary · gold · blue · ochre

Achieve the muted tones by mixing complementary colors. Use white to lighten and create highlights. Create the gold tones by mixing yellow ochre with a touch of burnt sienna.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the overall atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, green, brown, white, gold, blue, ochre)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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