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The Drifter by Andrew Wyeth

plate no. 7728

The Drifter

Andrew Wyeth

oilContemporary Realismportraitportraitfiguremanclothingjackethead
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and textures using a limited palette. It also emphasizes the importance of capturing subtle variations in light and shadow to create depth and realism.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and clothing.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of browns, grays, and subtle hints of other colors.

  4. step 04

    Focus on capturing the texture of the jacket using dry brush techniques and visible brushstrokes.

  5. step 05

    Define the details of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add the details of the clothing, such as the collar and buttons.

  7. step 07

    Refine the overall composition and make any necessary adjustments.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ultramarine blue

Achieve the skin tones by mixing raw umber, burnt sienna, and titanium white in varying proportions. Use yellow ochre and ultramarine blue sparingly to create subtle variations in the skin tones and clothing.

techniques

  • ·dry brush
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of realism.
  • →Using too much color and creating a muddy effect.
  • →Failing to capture the subtle variations in light and shadow.
  • →Ignoring the importance of accurate proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for capturing the texture of the clothing.

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oil painting for beginners →how to learn by studying the masters →
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