apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Dream
The Dream by Henri Rousseau

plate no. 1778

The Dream

Henri Rousseau, 1910

oil, canvasNaïve Art (Primitivism)allegorical paintingjunglenude figurelionsfoliageflowersmusician
some experience helpful

This painting helps students practice layering techniques to create depth and detail, as well as rendering the human form in a stylized manner. Students will also learn to create a sense of atmosphere through color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, lions, and musician.

  2. step 02

    Establish the background with dark greens and browns, creating a sense of depth.

  3. step 03

    Block in the main shapes of the foliage, using varying shades of green.

  4. step 04

    Paint the figure, paying attention to the highlights and shadows to create form.

  5. step 05

    Add the lions, focusing on their facial features and fur texture.

  6. step 06

    Paint the musician and the details of his clothing.

  7. step 07

    Add the flowers and other details, such as the oranges and birds.

  8. step 08

    Refine the details and add highlights to create a sense of realism.

color palette

primary · viridian green · burnt umber · yellow ochre · cadmium orange

secondary · ultramarine blue · alizarin crimson · titanium white

Mix greens by combining viridian green with yellow ochre or burnt umber. Create skin tones by mixing yellow ochre, burnt umber, and alizarin crimson with titanium white.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, leading to a stiff and unnatural look.
  • →Failing to create a sense of depth, resulting in a flat composition.
  • →Inaccurate color mixing, leading to a muddy or unrealistic palette.
  • →Ignoring the importance of highlights and shadows, resulting in a lack of form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (viridian green, burnt umber, yellow ochre, cadmium orange, ultramarine blue, alizarin crimson, titanium white)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden