apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Disrobing (Despoiling) of Christ (after El Greco)
The Disrobing (Despoiling) of Christ (after El Greco) by Matthew Smith

plate no. 1003

The Disrobing (Despoiling) of Christ (after El Greco)

Matthew Smith, 1922

oilPost-Impressionismreligious paintingfigurescrowdreligious scenerobesarmorportrait
experienced study

This painting helps develop skills in expressive brushwork and color mixing to create dynamic figures. Students will learn to simplify complex scenes into bold shapes and capture emotional intensity.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figure and the surrounding crowd.

  2. step 02

    Establish the dark background using a mix of black, brown, and green.

  3. step 03

    Block in the main areas of color, such as the red robe, green cloak, and flesh tones, using broad strokes.

  4. step 04

    Develop the figures' forms with thicker paint and visible brushstrokes, paying attention to light and shadow.

  5. step 05

    Mix various skin tones using red, yellow, white, and small amounts of blue or green.

  6. step 06

    Add highlights to the armor and robes to create a sense of depth and texture.

  7. step 07

    Refine the facial features and expressions, using small, deliberate strokes.

  8. step 08

    Add final details and adjust the overall composition to achieve a cohesive and expressive result.

color palette

primary · cadmium red · ivory black · titanium white

secondary · viridian green · yellow ochre · burnt umber

Achieve the skin tones by mixing red, yellow, and white, with small amounts of blue or green for shadows. Darken colors with burnt umber and black, and lighten with white.

techniques

  • ·alla prima
  • ·impasto
  • ·broken color
  • ·scumbling
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov