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home·artworks·The Crucifixion
The Crucifixion by Matthias Grünewald

plate no. 7018

The Crucifixion

Matthias Grünewald, 1524

oil, woodNorthern Renaissancereligious paintingcrucifixionfigurereligiouscrosscrown of thornsrobes
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering realistic skin tones, and creating a dramatic atmosphere through value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the cross.

  2. step 02

    Establish the dark background using a mix of browns and blacks.

  3. step 03

    Block in the main shapes of the figures with simplified color masses.

  4. step 04

    Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the drapery of the robes, using a limited palette to create depth and form.

  6. step 06

    Add details to the face and hands, focusing on capturing the expressions of the figures.

  7. step 07

    Paint the cross and the crown of thorns, adding texture and detail.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and impactful image.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black · ultramarine blue

Achieve skin tones by mixing white, red, and umber, adjusting the proportions to create highlights and shadows. Use yellow ochre and white to create the highlights on the robes.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·dry brushing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Ignoring the details in the faces and hands, which are crucial for conveying emotion.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified underpainting.

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