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home·artworks·The court of the Alhambra
The court of the Alhambra by Marià Fortuny

plate no. 3045

The court of the Alhambra

Marià Fortuny

oilOrientalismcityscapecourtyardarchitecturefiguresarcheswatershadows
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how light and shadow define form. It also provides practice in rendering complex architectural details in a loose, impressionistic style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the architecture, focusing on the perspective and proportions.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Establish the local colors of the walls, arches, and fountain.

  4. step 04

    Add details to the architectural elements, such as the intricate patterns on the arches.

  5. step 05

    Paint the figures, focusing on their gestures and placement within the scene.

  6. step 06

    Refine the light and shadow, adding highlights and deepening shadows to create depth.

  7. step 07

    Add final details, such as the reflections in the fountain and the textures of the walls.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · yellow ochre · raw umber · titanium white · burnt sienna

secondary · viridian green · alizarin crimson · ultramarine blue

Mix various shades of beige and cream for the walls by combining yellow ochre, raw umber, and white. Use viridian green mixed with yellow ochre for the fountain. Create shadows by adding burnt sienna and ultramarine blue to the base colors.

techniques

  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a strong value structure
  • →Overworking the painting
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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