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home·artworks·The Constantly Changing View, Athens
The Constantly Changing View, Athens by Spyros Vassiliou

plate no. 7658

The Constantly Changing View, Athens

Spyros Vassiliou

oilNaïve Art (Primitivism)cityscapecityscapebuildingssunskyscaffoldingrooftops
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and practicing linear perspective to depict buildings and structures. It also offers practice in depicting atmospheric perspective through color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings and the horizon line.

  2. step 02

    Block in the large areas of color for the sky, mountains, and buildings using diluted washes.

  3. step 03

    Add the darker values to define the shadows and shapes of the buildings.

  4. step 04

    Paint the details of the scaffolding, windows, and rooftops, paying attention to their relative sizes and positions.

  5. step 05

    Create the sun using a light color and radiating lines.

  6. step 06

    Refine the details and add highlights to create depth and dimension.

  7. step 07

    Add final touches to the sky and background to create a sense of atmosphere.

  8. step 08

    Let dry and add a varnish for protection.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · payne's gray

Mix raw umber and white for the buildings. Use cerulean blue and white for the sky and mountains. Add burnt sienna to raw umber for warmer tones on the roofs.

techniques

  • ·layering
  • ·dry brushing
  • ·linear perspective
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong can make the buildings look distorted.
  • →Overworking the details can make the painting look cluttered.
  • →Not creating enough contrast can make the painting look flat.
  • →Using colors that are too saturated can clash with the overall muted tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to capture the muted tones of the original painting.

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oil painting for beginners →how to learn by studying the masters →
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