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home·artworks·The city of Constantine
The city of Constantine by Kuzmá Petrov-Vodkin

plate no. 3794

The city of Constantine

Kuzmá Petrov-Vodkin, 1907

oilPost-Impressionismcityscapecityscapebuildingsmarketfigureshillssky
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using a limited color palette to create a sense of atmosphere. It's also good practice for capturing light and shadow in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and market stalls, focusing on proportions and placement.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the main color areas: the blue-grey of the buildings, the green of the hills, and the warm tones of the market and foreground.

  4. step 04

    Start adding details to the buildings, such as windows and roof lines, using slightly darker and lighter shades of blue-grey.

  5. step 05

    Develop the market stalls, paying attention to the patterns of light and shadow on the awnings and figures.

  6. step 06

    Add details to the foreground, including the fence and any figures or animals.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · raw sienna

Mix ultramarine blue with white to create the various shades of blue-grey for the buildings. Use yellow ochre and burnt umber for the warm tones of the market stalls and foreground. Add white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·simplification

common pitfalls

  • →Getting bogged down in details too early.
  • →Overmixing colors and losing vibrancy.
  • →Ignoring the overall composition and focusing on individual elements.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

A medium-grain canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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