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home·artworks·The Church of the Pantanassa, Naxos
The Church of the Pantanassa, Naxos by Konstantinos Maleas

plate no. 7351

The Church of the Pantanassa, Naxos

Konstantinos Maleas, 1928

oilPost-Impressionismcityscapebuildingtreesskyarchitecturelandscapechurch
some experience helpful

Recreating this painting will help students develop skills in layering paint to create texture and understanding how light affects color, especially on white surfaces. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, tree, and horizon line, paying attention to proportions.

  2. step 02

    Block in the main color areas: sky, sea, distant land, building, tree, and foreground.

  3. step 03

    Begin layering paint on the building, using different values of white and gray to create form and shadow.

  4. step 04

    Add details to the tree, focusing on the shapes of the leaves and branches.

  5. step 05

    Refine the colors and values in the sky and sea, creating a sense of depth.

  6. step 06

    Add details to the architecture, such as windows and arches.

  7. step 07

    Work on the foreground, adding texture and detail to the wall.

  8. step 08

    Add final highlights and shadows to enhance the overall composition.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · yellow ochre · sap green · burnt sienna

Mix various shades of white by adding small amounts of blue, umber, and ochre. Create greens by mixing blue and yellow, adjusting the ratio for different tones. Use burnt sienna to create the warm tones in the distant land and tree trunks.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying attention to the subtle variations in color and value.
  • →Making the white building too flat and lacking in form.
  • →Failing to simplify complex shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·burnt sienna oil paint
  • ·assorted flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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