apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Church at Labastide
The Church at Labastide by Henri Martin

plate no. 1923

The Church at Labastide

Henri Martin, 1920

oil, canvasPost-Impressionismlandscapelandscapechurchvillagetreeshillsbuildings
some experience helpful

Recreating this painting will help students develop skills in pointillism and broken color techniques, as well as understanding how to create depth through color and value changes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the church, hills, and village.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up layers of small, distinct brushstrokes in various colors to create a textured effect.

  4. step 04

    Focus on the color variations within each area, using complementary colors to create visual interest.

  5. step 05

    Pay attention to the direction of the brushstrokes to suggest form and movement.

  6. step 06

    Refine the details of the church and buildings, adding highlights and shadows to create depth.

  7. step 07

    Add final touches to the landscape, adjusting the colors and values as needed.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · yellow ochre · viridian green · ultramarine blue

secondary · burnt sienna · cadmium red · violet

Mix greens by combining yellow ochre and viridian green. Create muted tones by adding small amounts of complementary colors.

techniques

  • ·pointillism
  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Ignoring the importance of color temperature in creating depth.
  • →Failing to vary the size and direction of the brushstrokes.
  • →Losing the overall composition by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use high-quality oil paints for best results. Pre-toned canvas can help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

The Stream in Labastide du Vert

The Stream in Labastide du Vert

Henri Martin

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois