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home·artworks·The Cathedrals of Broadway
The Cathedrals of Broadway by Florine Stettheimer

plate no. 8694

The Cathedrals of Broadway

Florine Stettheimer, 1929

oilNaïve Art (Primitivism)genre paintingcityscapetheaterportraitarchitecturefiguresflags
experienced study

Recreating this painting will help students develop skills in layering colors, creating a sense of depth through overlapping forms, and capturing intricate details within a complex composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outlines of the architectural elements and figures, focusing on proportions and placement.

  2. step 02

    Establish the overall color scheme by applying a thin wash of the dominant pinkish-red hue across the canvas.

  3. step 03

    Begin layering in the architectural details, such as the arches, flags, and signage, using progressively darker and lighter shades.

  4. step 04

    Paint the central portrait and surrounding drapery, paying close attention to the subtle variations in tone and texture.

  5. step 05

    Add the figures in the foreground and background, using simplified forms and limited color palettes.

  6. step 06

    Incorporate the smaller details, such as the clock, lettering, and decorative elements, using fine brushes.

  7. step 07

    Refine the overall composition by adjusting the values and colors to create a sense of depth and visual interest.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

color palette

primary · rose madder · titanium white · ivory black

secondary · gold ochre · viridian · cadmium yellow light

Achieve the various shades of pink by mixing rose madder with titanium white in different ratios. Use ivory black sparingly to create shadows and depth.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear focal point.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic gesso
  • ·set of acrylic paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use high-quality acrylic paints for best results. Pre-prime the canvas with gesso for a smooth surface.

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