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home·artworks·The casino of Nice
The casino of Nice by Raoul Dufy

plate no. 4251

The casino of Nice

Raoul Dufy, 1929

oil, canvasNaïve Art (Primitivism)cityscapecasinoarchitecturetreesskycarsfigures
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and using expressive brushstrokes to create texture and form. It also encourages experimentation with color and composition in a non-realistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the casino, the trees, and the horizon line.

  2. step 02

    Block in the sky with a light blue wash, adding white for clouds with visible brushstrokes.

  3. step 03

    Paint the casino's dome and towers using a mix of yellow, white, and touches of orange and brown, focusing on capturing the overall form rather than precise details.

  4. step 04

    Add the architectural details of the casino with thin lines of brown and red, simplifying the patterns and shapes.

  5. step 05

    Paint the trees and foliage using various shades of green, blue, and brown, using short, broken brushstrokes to create texture.

  6. step 06

    Add the cars and figures in the foreground using simplified shapes and bold colors.

  7. step 07

    Define the water with horizontal strokes of blue and white, suggesting reflections and movement.

  8. step 08

    Review and adjust the composition, adding final details and highlights as needed.

color palette

primary · cerulean blue · yellow ochre · titanium white · sap green

secondary · burnt sienna · cadmium red · ultramarine blue

Mix light blues for the sky by adding white to cerulean blue. Achieve the casino's dome color by mixing yellow ochre with white and small amounts of burnt sienna. Create various greens by mixing sap green with blues and yellows.

techniques

  • ·broken color
  • ·simplified forms
  • ·expressive brushstrokes
  • ·color layering
  • ·scumbling

common pitfalls

  • →Overworking details and losing the spontaneous feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to simplify complex shapes.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (sizes 4, 8)
  • ·flat brush (size 6)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Acrylics are a good option for beginners due to their fast drying time.

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