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home·artworks·The Carrying of the Cross, Christ and St. Veronica
The Carrying of the Cross,  Christ and St. Veronica by Hieronymus Bosch

plate no. 1601

The Carrying of the Cross, Christ and St. Veronica

Hieronymus Bosch, 1516

oil, panelNorthern Renaissancereligious paintingfiguresreligious sceneportraitscrowdcross
experienced study

Recreating this painting will help students develop skills in portraiture, rendering complex skin tones, and creating a sense of depth through layering and value control. It also provides practice in depicting a variety of facial expressions and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (e.g., burnt umber wash).

  2. step 02

    Create a preliminary sketch outlining the main figures and their positions.

  3. step 03

    Block in the basic shapes and colors of each figure, focusing on the overall composition.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Pay close attention to the details of the faces, including the eyes, nose, and mouth.

  6. step 06

    Render the clothing and other details, such as the headdress and jewelry.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Apply a varnish to protect the painting and enhance the colors.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · viridian green

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white, with small amounts of red or green for subtle variations. Use ultramarine blue and white to create the pale blue of the headdress.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·layering

common pitfalls

  • →Oversimplifying the skin tones, resulting in a flat or lifeless appearance.
  • →Losing the overall composition by focusing too much on individual details.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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