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The carpet merchant by Gustavo Simoni

plate no. 1502

The carpet merchant

Gustavo Simoni, 1886

oil, canvasOrientalismgenre paintingfigurescarpetarchitectureinteriormarketclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as understanding atmospheric perspective and creating depth in an interior scene. The carpet provides an opportunity to practice detailed pattern work.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of figures and architectural elements.

  2. step 02

    Establish the background tones and values, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures, focusing on accurate proportions.

  4. step 04

    Begin to refine the details of the figures, including clothing folds and facial features.

  5. step 05

    Carefully render the carpet, breaking down the complex pattern into manageable sections.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the architectural details and add any final touches.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · ivory black · raw umber · yellow ochre · cadmium red

secondary · viridian · ultramarine blue · burnt sienna

Achieve the skin tones by mixing yellow ochre, cadmium red, and ivory black. The carpet colors are achieved by mixing the primary and secondary colors with white to create a range of tints.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·rendering
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details of the carpet too early.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of light and shadow on the figures and architecture.
  • →Overworking the details and losing the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, yellow ochre, cadmium red, viridian, ultramarine blue, burnt sienna, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to speed up drying time.

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