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home·artworks·The Camel's Hump
The Camel's Hump by Edward Hopper

plate no. 5930

The Camel's Hump

Edward Hopper, 1931

oil, canvasNew Realismlandscapehillslandscapeskyvegetationmountainsclouds
some experience helpful

Recreating this painting will help students develop skills in blocking in large shapes, understanding light and shadow on forms, and creating a sense of depth through atmospheric perspective. Students will also practice mixing a limited palette to achieve a range of values and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills and sky, paying attention to the horizon line and the overall composition.

  2. step 02

    Block in the sky with a thin wash of blue, leaving some areas lighter to suggest clouds.

  3. step 03

    Establish the dark areas of the hills using a dark brown or green mixture.

  4. step 04

    Apply the lighter, sunlit areas of the hills with a yellow-ochre or similar color, focusing on the direction of light.

  5. step 05

    Add details to the foreground vegetation, using a mix of greens and yellows to create texture.

  6. step 06

    Refine the shadows and highlights on the hills to create a sense of depth and form.

  7. step 07

    Add the small stream in the foreground with varying shades of green and blue.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · viridian green · cadmium yellow

Mix ultramarine blue and titanium white for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and yellow ochre to create the various shades of brown and green for the hills and vegetation. Add viridian green to the yellow ochre for the stream.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Not establishing a clear value structure
  • →Using colors straight from the tube without mixing
  • →Ignoring the direction of light

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·#6 flat brush
  • ·#2 round brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for a good balance of texture and smoothness. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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