
plate no. 5930
Edward Hopper, 1931
Recreating this painting will help students develop skills in blocking in large shapes, understanding light and shadow on forms, and creating a sense of depth through atmospheric perspective. Students will also practice mixing a limited palette to achieve a range of values and colors.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the hills and sky, paying attention to the horizon line and the overall composition.
Block in the sky with a thin wash of blue, leaving some areas lighter to suggest clouds.
Establish the dark areas of the hills using a dark brown or green mixture.
Apply the lighter, sunlit areas of the hills with a yellow-ochre or similar color, focusing on the direction of light.
Add details to the foreground vegetation, using a mix of greens and yellows to create texture.
Refine the shadows and highlights on the hills to create a sense of depth and form.
Add the small stream in the foreground with varying shades of green and blue.
Make final adjustments to the colors and values to achieve the desired effect.
color palette
primary · ultramarine blue · yellow ochre · burnt umber
secondary · titanium white · viridian green · cadmium yellow
Mix ultramarine blue and titanium white for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and yellow ochre to create the various shades of brown and green for the hills and vegetation. Add viridian green to the yellow ochre for the stream.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for a good balance of texture and smoothness. Consider using a limited palette to simplify the color mixing process.
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