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home·artworks·The cabage place at Pontoise
The cabage place at Pontoise by Camille Pissarro

plate no. 5134

The cabage place at Pontoise

Camille Pissarro, 1882

oil, canvasPointillismlandscapelandscapetreeshousefieldskyvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. Students will also learn to simplify complex forms into basic shapes and apply short, broken brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, the house, and the placement of the trees.

  2. step 02

    Block in the sky with a thin wash of light blue and gray, blending the colors softly.

  3. step 03

    Establish the main areas of the landscape: the field in the foreground, the hill in the background, and the location of the house.

  4. step 04

    Begin layering colors in the field using short, broken brushstrokes of green, yellow, and brown.

  5. step 05

    Add details to the house, paying attention to the light and shadow on the walls and roof.

  6. step 06

    Paint the trees, using a variety of greens, browns, and grays to create texture and depth.

  7. step 07

    Refine the details in the background, using lighter and cooler colors to create atmospheric perspective.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · sap green · yellow ochre · raw umber

secondary · cerulean blue · titanium white · burnt sienna

Mix greens by blending yellow ochre and cerulean blue with varying amounts of white. Achieve earth tones by combining raw umber, burnt sienna, and yellow ochre.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating too much detail too early in the painting process.
  • →Ignoring the effects of light and shadow on the landscape.
  • →Failing to create a sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette of colors to simplify the mixing process. Consider using a medium to improve the flow of the paint.

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