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home·artworks·The Broken Column
The Broken Column by Frida Kahlo

plate no. 4182

The Broken Column

Frida Kahlo, 1944

oil, masoniteNaïve Art (Primitivism)self-portraitself-portraitfigurelandscapeskytorsonails
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and facial expressions, as well as understanding symbolic representation in art. It also provides practice in creating texture and depth with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and the placement of the landscape elements.

  2. step 02

    Block in the background sky and landscape with broad strokes, establishing the overall color scheme.

  3. step 03

    Lay in the base skin tones for the figure, paying attention to the subtle variations in color and value.

  4. step 04

    Begin to define the features of the face, focusing on capturing the expression and likeness.

  5. step 05

    Paint the metal column and the supporting straps, carefully rendering their form and texture.

  6. step 06

    Add the nails, paying attention to their placement and the shadows they cast.

  7. step 07

    Refine the details of the landscape and sky, adding depth and atmosphere.

  8. step 08

    Add final highlights and shadows to the figure to enhance the sense of realism.

color palette

primary · burnt sienna · raw umber · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · payne's grey

Mix skin tones by blending burnt sienna, raw umber, titanium white, and a touch of cadmium red. Achieve the metallic look of the column by mixing payne's grey with white and small amounts of raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the likeness of the figure.
  • →Ignoring the subtle variations in skin tone.
  • →Placing the nails haphazardly.
  • →Not paying attention to the light source and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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