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home·artworks·The Bridge at Nogent
The Bridge at Nogent by Maurice de Vlaminck

plate no. 7371

The Bridge at Nogent

Maurice de Vlaminck, 1910

oil, canvasPost-Impressionismcityscapebridgewaterbuildingstreesskyreflection
some experience helpful

This painting is great for learning how to simplify complex scenes into basic shapes and using color to create depth and atmosphere. Students will practice layering colors and capturing reflections in water.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bridge, buildings, and trees, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a light blue, allowing for variations in tone.

  3. step 03

    Establish the dark greens and blues of the trees and water, paying attention to the reflections.

  4. step 04

    Add the lighter tones of the buildings and bridge supports, mixing yellows and whites.

  5. step 05

    Refine the shapes and details of the bridge structure, using darker blues and blacks.

  6. step 06

    Develop the reflections in the water, using broken brushstrokes and similar colors to the objects above.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the colors and values to achieve a harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · viridian green

secondary · titanium white · burnt sienna · cadmium yellow

Mix greens by combining blue and yellow, and vary the tones by adding white or burnt sienna. Achieve the water reflections by using slightly muted versions of the colors above.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Failing to capture the correct proportions of the bridge and buildings.
  • →Using colors that are too saturated and not reflecting the muted tones of the water.
  • →Ignoring the importance of the negative space around the objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#4, #6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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