apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Bridge at Chatou
The Bridge at Chatou by Maurice de Vlaminck

plate no. 1899

The Bridge at Chatou

Maurice de Vlaminck, 1912

oil, canvasPost-Impressionismcityscapebridgeriverbuildingsskytreeslandscape
some experience helpful

Recreating this painting will help students develop skills in capturing reflections in water and using expressive brushstrokes to define form and texture. Students can also learn how to simplify complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: bridge, buildings, river banks, and sky.

  2. step 02

    Block in the main colors of the sky, water, and land using broad strokes.

  3. step 03

    Establish the dark values in the water and shadows under the bridge.

  4. step 04

    Add the lighter values to the clouds and highlights on the water.

  5. step 05

    Define the shapes of the buildings and bridge with more precise brushstrokes.

  6. step 06

    Add details to the trees and foliage, using varying shades of green.

  7. step 07

    Refine the reflections in the water, paying attention to color and value.

  8. step 08

    Add final touches and highlights to create depth and interest.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · viridian green · yellow ochre

Mix blues and whites for the sky and water, adding small amounts of green for the water's depth. Use burnt sienna and white for the bridge, adjusting with small amounts of yellow ochre for warmth. Mix greens with blue and yellow ochre.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-wet blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Making the colors too uniform and lacking variation.
  • →Not capturing the reflections accurately.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·palette

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov