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The boy by Moise Kisling

plate no. 4278

The boy

Moise Kisling, 1948

oilPost-Impressionismportraitportraitboytreesfoliageskyclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing a likeness, as well as understanding color relationships for skin tones and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes of the boy, the background elements, and the overall composition.

  2. step 02

    Block in the main color areas: the skin tones, the red sweater, the blue hat, the dark pants, and the background.

  3. step 03

    Start refining the skin tones by adding subtle variations in color and value to create form and dimension.

  4. step 04

    Work on the red sweater, paying attention to the highlights and shadows to give it a sense of depth.

  5. step 05

    Develop the background, focusing on the shapes and values of the trees and foliage to create a sense of depth and atmosphere.

  6. step 06

    Refine the details of the boy's face, including the eyes, nose, and mouth, to capture his likeness.

  7. step 07

    Add the final details, such as the highlights in the eyes and the texture of the hair.

  8. step 08

    Make any necessary adjustments to the overall composition and color balance.

color palette

primary · cadmium red · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · viridian green · raw sienna

Mix skin tones using yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber for shadows. Achieve the red sweater color by mixing cadmium red with a touch of burnt umber for depth. Create the background by mixing ultramarine blue with white and touches of viridian green and burnt umber.

techniques

  • ·portrait sketching
  • ·color mixing for skin tones
  • ·blocking in color areas
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth in the background.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 flat brush
  • ·palette
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. If using acrylics, consider using a slow-drying medium to allow for more blending time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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