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The Blue Palace by Bernardo Bellotto

plate no. 4043

The Blue Palace

Bernardo Bellotto, 1779

oil, canvasRocococityscapecityscapebuildingsskyfigurestreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in perspective drawing and rendering atmospheric perspective to create depth. It also provides practice in painting detailed architectural elements and figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural shapes and perspective lines, paying attention to vanishing points.

  2. step 02

    Block in the sky with a thin wash of blue, adding subtle variations for clouds.

  3. step 03

    Establish the base tones for the buildings, using a mix of browns, creams, and grays.

  4. step 04

    Begin adding details to the buildings, such as windows, roofs, and architectural ornaments.

  5. step 05

    Paint the trees and foliage, using a variety of greens and browns to create texture.

  6. step 06

    Add the figures in the foreground, paying attention to their proportions and clothing details.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin washes of color to unify the painting and enhance the atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light · ivory black

Achieve the sky's subtle gradations by mixing ultramarine blue with varying amounts of white. Create the building tones by mixing raw umber, yellow ochre, and white, adjusting the ratios for different shades.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, leading to distorted buildings.
  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to create depth through atmospheric perspective.
  • →Using colors that are too saturated, making the painting look garish.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, raw umber, titanium white, yellow ochre, burnt sienna, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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