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home·artworks·The blue chairs II
The blue chairs II by Panayiotis Tetsis

plate no. 7307

The blue chairs II

Panayiotis Tetsis, 1976

oilPost-Impressionisminteriorchairtablecupinteriorshadowsstill life
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and in capturing light and shadow to create depth. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the chair, table, and cup, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the darkest areas and gradually moving to the lighter ones.

  3. step 03

    Mix the various shades of blue for the chair, paying attention to the subtle color variations created by light and shadow.

  4. step 04

    Add the yellow of the cup, capturing its highlights and shadows.

  5. step 05

    Refine the details of the chair and table, adding texture with visible brushstrokes.

  6. step 06

    Adjust the values and colors as needed to create a sense of depth and atmosphere.

  7. step 07

    Add the final highlights and details to the cup and its reflection.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · sap green

Mix blues and umber for the dark shadows. Use white to lighten the blues for highlights on the chair. Mix yellow ochre with a touch of umber for the cup's base color; add white for highlights.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·impasto
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Not paying attention to the subtle color variations in the shadows.
  • →Making the colors too saturated and unrealistic.
  • →Failing to establish a strong value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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