
plate no. 5083
Paul Henry, 1913
Recreating this painting will help students develop skills in alla prima painting, focusing on capturing form and light with bold, expressive brushstrokes. It also provides practice in simplifying a complex scene into essential shapes and values.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and composition of the blacksmith, anvil, and background.
Block in the darkest areas of the painting with a dark brown or black.
Establish the mid-tones using a mix of browns and grays, focusing on the figure and anvil.
Add highlights to the blacksmith's face, arms, and the anvil using lighter browns and creams.
Refine the details of the figure and the anvil, paying attention to the direction of light.
Use thick, visible brushstrokes to create texture and movement.
Adjust values and colors as needed to create depth and dimension.
Add final details, such as the hammer and any small highlights.
color palette
primary · burnt umber · raw umber · titanium white
secondary · ivory black · yellow ochre
Achieve the various browns and grays by mixing burnt umber, raw umber, ivory black, and titanium white in different proportions. Use yellow ochre sparingly to add warmth to certain areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette of earth tones to capture the painting's somber mood.
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