apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Bezestein Bazaar of El Khan Khalil, Cairo
The Bezestein Bazaar of El Khan Khalil, Cairo by John Frederick Lewis

plate no. 0452

The Bezestein Bazaar of El Khan Khalil, Cairo

John Frederick Lewis, 1872

oilOrientalismgenre paintingarchitecturemarketfiguresbuildingscityscapeinterior
experienced study

Recreating this painting will help students develop skills in perspective, rendering complex architectural details, and painting figures in a crowded scene. It also provides practice in creating depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the perspective and overall composition.

  2. step 02

    Block in the main shapes and areas of light and shadow with thin washes of color.

  3. step 03

    Begin to develop the architectural details, paying close attention to the perspective lines.

  4. step 04

    Add the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Refine the colors and values, building up layers of paint to create depth and richness.

  6. step 06

    Add highlights and details to create a sense of realism.

  7. step 07

    Pay attention to the textures of the different materials, such as the stone, fabric, and wood.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt sienna · raw umber · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the warm, earthy tones by mixing burnt sienna and raw umber with small amounts of black and white. Use ultramarine blue and cadmium red to create the cooler shadows and accents.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Incorrect perspective
  • →Overworking details too early
  • →Muddy colors
  • →Lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for layering and texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti