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home·artworks·The Bed, the Chair, the Sitter
The Bed, the Chair, the Sitter by Eric Fischl

plate no. 1115

The Bed, the Chair, the Sitter

Eric Fischl, 1999

oilContemporary Realismgenre paintingfiguresinteriorchairsbedroomshadowsfurniture
experienced study

Recreating this painting will help students develop skills in depicting figures in complex lighting and understanding how light and shadow define form. It also provides practice in rendering textures and patterns on furniture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and composition.

  2. step 02

    Establish the overall value structure by blocking in the darkest shadows and lightest highlights.

  3. step 03

    Begin refining the figures, focusing on accurate skin tones and facial features.

  4. step 04

    Develop the background and furniture, paying attention to the patterns and textures.

  5. step 05

    Gradually build up layers of color, blending and glazing to achieve smooth transitions.

  6. step 06

    Refine the details, such as the patterns on the chairs and the highlights on the figures.

  7. step 07

    Adjust the overall color balance and value contrast to create a cohesive and atmospheric effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · cadmium red light

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and burnt sienna to create warm highlights on the figures and furniture. Add small amounts of cadmium red light to create subtle variations in skin tones and patterns.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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