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home·artworks·The Bay of Saint-Tropez
The Bay of Saint-Tropez by Maxime Maufra

plate no. 5144

The Bay of Saint-Tropez

Maxime Maufra

oil, canvasPost-Impressionismlandscapetreeslandscapeskywaterflowershills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. It also provides practice in capturing atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the trees and hills.

  2. step 02

    Block in the sky with broad strokes of yellow, orange, and blue, blending the colors softly.

  3. step 03

    Establish the distant hills and water using muted blues and greens, creating a sense of depth.

  4. step 04

    Paint the trees with dark greens and browns, using short, broken brushstrokes to suggest foliage.

  5. step 05

    Add the foreground flowers with dabs of pink, white, and green, varying the size and density of the strokes.

  6. step 06

    Refine the details of the trees and flowers, adding highlights and shadows to create form.

  7. step 07

    Adjust the overall color balance and value contrast to match the original painting.

  8. step 08

    Add final details and highlights to the sky, water, and foreground.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · sap green · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Create muted tones by adding a touch of burnt umber to your colors. Achieve the pinks in the flowers by mixing alizarin crimson and titanium white.

techniques

  • ·broken brushstrokes
  • ·color layering
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details in the foreground flowers.
  • →Creating too much contrast in the distant hills.
  • →Using colors that are too saturated.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas for best results. Be sure to work in a well-ventilated area when using oil paints and solvents.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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