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home·artworks·The barker
The barker by Giovanni Domenico Tiepolo

plate no. 3446

The barker

Giovanni Domenico Tiepolo, 1757

frescoRococogenre paintingfiguresarchitecturecityscapeclothingbuildingstreet
experienced study

Recreating this painting will help students develop skills in rendering figures in groups and creating atmospheric perspective with muted colors. It also provides practice in capturing the texture of aged buildings and clothing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and the architecture.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted burnt umber and raw sienna.

  3. step 03

    Begin blocking in the larger shapes of the figures and buildings, paying attention to their relative values.

  4. step 04

    Develop the details of the figures' clothing and faces, using small, controlled brushstrokes.

  5. step 05

    Add the architectural details, such as the brickwork and windows, using a dry brush technique to create texture.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere and depth.

  7. step 07

    Add final highlights and shadows to enhance the form and volume of the figures and buildings.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of age and patina.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium red light · yellow ochre

Achieve the muted, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of red and yellow to create subtle color variations in the clothing and buildings.

techniques

  • ·dry brush
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly saturated colors.
  • →Failing to establish a clear value structure.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a canvas with a fine weave to allow for detailed brushwork. Consider toning the canvas with a thin wash of burnt umber before beginning.

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