plate no. 7310
The attachment
Peter Fendi, 1840
study guide
est. 25 hrsapproach — 8 steps
- step 01
Create a rough sketch to block in the main figures and objects, paying attention to their relative sizes and positions.
- step 02
Establish the overall value structure by laying in a thin wash of burnt umber or a similar earth tone.
- step 03
Begin to build up the forms by applying layers of color, starting with the darkest areas and gradually working towards the highlights.
- step 04
Focus on accurately rendering the skin tones, using a limited palette of earth tones, reds, and yellows.
- step 05
Pay close attention to the details in the clothing and objects, such as the folds in the fabric and the textures of the furniture.
- step 06
Use subtle variations in color and value to create a sense of depth and atmosphere.
- step 07
Refine the details and add highlights to create a sense of realism.
- step 08
Add final glazes to unify the painting and enhance the colors.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · cadmium red · yellow ochre · ultramarine blue
Mix various shades of brown and beige by combining burnt umber, raw sienna, and white. Use small amounts of red and yellow to warm up the skin tones. Mix blue with browns to create shadows.
techniques
- ·layering
- ·glazing
- ·scumbling
- ·chiaroscuro
- ·portraiture
common pitfalls
- →getting lost in the details too early
- →overworking the painting
- →failing to establish a strong value structure
- →inaccurate proportions
materials
surface · stretched canvas
required
- ·stretched canvas
- ·oil paints
- ·linseed oil
- ·turpentine
- ·palette
- ·assorted brushes
- ·palette knife
optional
- ·medium gloss
- ·retouch varnish
- ·easel
- ·mahl stick
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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