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home·artworks·The Artist in His Studio and His Man Gibbs
The Artist in His Studio and His Man Gibbs by George Morland

plate no. 6464

The Artist in His Studio and His Man Gibbs

George Morland, 1802

oilRococoself-portraitinteriorfiguresstudiofireplacedogspainting
some experience helpful

Recreating this painting will help students understand how to depict an interior scene with multiple light sources and how to create a sense of depth through atmospheric perspective. It will also help with rendering figures in a realistic manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, paying attention to the placement of the figures and objects.

  2. step 02

    Establish the main light sources: the fire and the window.

  3. step 03

    Block in the large areas of color, starting with the background and working forward.

  4. step 04

    Develop the values, focusing on creating a sense of depth and atmosphere.

  5. step 05

    Refine the details of the figures and objects, paying attention to the textures and forms.

  6. step 06

    Add highlights and shadows to create contrast and dimension.

  7. step 07

    Glaze with thin layers of color to unify the painting and create subtle variations.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · Prussian blue · titanium white

Mix raw umber and ivory black for the dark areas of the interior. Use yellow ochre and titanium white for the highlights. Mix Prussian blue with raw umber and white for the figures' clothing.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth.
  • →Overworking the details.
  • →Not paying enough attention to the light sources.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the values.

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oil painting for beginners →how to learn by studying the masters →
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