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home·artworks·The Aqueduct at Nogent sur Marne
The Aqueduct at Nogent sur Marne by Maurice de Vlaminck

plate no. 8522

The Aqueduct at Nogent sur Marne

Maurice de Vlaminck, 1911

oil, canvasPost-Impressionismlandscapebridgewaterbuildingsskylandscapetrees
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and using expressive brushstrokes to create texture and form. It also provides practice in mixing and applying a limited color palette to achieve a cohesive and harmonious composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the bridge, water, and buildings, focusing on the overall composition.

  2. step 02

    Block in the main areas of color with thin washes, starting with the sky and water.

  3. step 03

    Begin building up the bridge with thicker paint, using short, directional brushstrokes to define the form.

  4. step 04

    Add details to the buildings and trees, using a smaller brush and varying the color and value.

  5. step 05

    Refine the reflections in the water, paying attention to the direction of the brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Review the painting and make any necessary adjustments to the composition, color, or value.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · viridian green · titanium white · cadmium yellow

Mix yellow ochre and burnt umber for the bridge. Combine ultramarine blue and white for the sky and water. Use viridian green and yellow ochre for the foliage. Add white to lighten values and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-dry layering
  • ·simplified forms
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too many colors and creating a muddy effect.
  • →Failing to simplify the forms and details.
  • →Neglecting the importance of value contrast.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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