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home·artworks·The Annunciation with two Kneeling Donors
The Annunciation with two Kneeling Donors by Filippo Lippi

plate no. 1233

The Annunciation with two Kneeling Donors

Filippo Lippi, 1455

oil, panel, temperaEarly Renaissancereligious paintingfiguresangelarchitecturereligious sceneinteriorlandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective and linear perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Refine the details of the figures, including facial features, drapery folds, and hand gestures.

  4. step 04

    Develop the architectural elements, paying attention to perspective and the play of light and shadow.

  5. step 05

    Add the background landscape and the details of the interior, such as the bed and the decorative elements.

  6. step 06

    Work on the subtle gradations of color and value to create a sense of depth and atmosphere.

  7. step 07

    Add the final highlights and details to bring the painting to life.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · ultramarine blue · rose madder · yellow ochre · raw umber

secondary · viridian · titanium white · ivory black

Achieve the subtle flesh tones by mixing white, rose madder, and yellow ochre. Create the blue of Mary's robe by mixing ultramarine blue with white and a touch of black for shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·blending
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →flat, lifeless colors
  • →inaccurate perspective
  • →overworking details too early
  • →muddy color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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