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home·artworks·The Alchemist
The Alchemist by Carl Spitzweg

plate no. 4594

The Alchemist

Carl Spitzweg, 1860

oil, canvasBiedermeiergenre paintingfigureinterioralchemyorbtableshadows
some experience helpful

Recreating this painting will help students understand how to create a focal point using light and shadow, and how to depict textures with visible brushstrokes. It also provides practice in rendering a realistic human figure in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the orb.

  2. step 02

    Establish the dark background tones using a thin wash of burnt umber.

  3. step 03

    Block in the main shapes of the figure, table, and other objects with mid-tone browns and grays.

  4. step 04

    Begin to build up the highlights on the orb and the figure's face, using lighter shades of the base colors.

  5. step 05

    Add details to the figure's clothing and facial features, paying attention to the subtle variations in color and value.

  6. step 06

    Refine the shadows and highlights to create depth and dimension.

  7. step 07

    Add the small details like the reflections in the orb and the texture of the walls.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · Prussian blue · cadmium red

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black. Use small amounts of yellow ochre and Prussian blue to create subtle variations in the shadows. Add cadmium red to the cheeks and nose of the figure.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Making the highlights too bright and unnatural.
  • →Not paying enough attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a canvas with a smooth texture to allow for fine details. Consider using a toned canvas to help establish the dark background tones.

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oil painting for beginners →how to learn by studying the masters →
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