
plate no. 6497
Leon Kroll, 1912
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and patterns with paint.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure, cushion, and background painting, paying attention to proportions.
Establish the overall color scheme by blocking in large areas of color, focusing on the dress and cushion.
Begin refining the skin tones, using subtle variations in color to create form and light.
Add details to the dress, including the stripes and folds, using a combination of blending and layering.
Work on the cushion, using short, broken brushstrokes to create texture and pattern.
Refine the background painting, capturing its abstract quality and color palette.
Add final details, such as the jewelry and the string in the figure's hand.
Adjust values and colors as needed to create a cohesive and balanced composition.
color palette
primary · ultramarine blue · burnt sienna · titanium white
secondary · yellow ochre · alizarin crimson
Mix various shades of blue by combining ultramarine with white and small amounts of burnt sienna to create depth. Skin tones can be achieved by mixing white, yellow ochre, and alizarin crimson, adjusting the ratios for highlights and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.
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