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home·artworks·Tenafly, Autumn
Tenafly, Autumn by George Inness

plate no. 4382

Tenafly, Autumn

George Inness, 1891

oilTonalismlandscapetreeslandscapefigurefieldskyautumn
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and mood. It also offers practice in simplifying complex forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figure, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky with a mix of blues, grays, and yellows, blending softly to create a cloudy effect.

  4. step 04

    Paint the distant trees and hills with muted colors, gradually increasing the color saturation and detail as you move towards the foreground.

  5. step 05

    Add the main group of trees, focusing on the warm autumn colors and soft edges.

  6. step 06

    Paint the field with layers of greens, browns, and yellows, varying the values to create depth and texture.

  7. step 07

    Add the figure and other details, keeping them simple and understated.

  8. step 08

    Refine the painting with glazes and subtle adjustments to the colors and values.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the warm autumn colors by blending alizarin crimson, cadmium yellow, and burnt umber. Use titanium white to lighten and soften the colors.

techniques

  • ·atmospheric perspective
  • ·soft blending
  • ·glazing
  • ·scumbling
  • ·value layering

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Ignoring the importance of value contrast
  • →Creating hard edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a limited palette of earth tones and a few key colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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